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Reviews and Culture
104 posts
Review: Aftersun directed by Charlotte Wells
Review: Aftersun directed by Charlotte WellsMubi, 2022 Reviewed by Harper Cleves (Spoiler warning) Aftersun, written and directed by…
Review: Triangle of Sadness directed by Ruben Ostlund
Triangle of Sadness Directed by Ruben Ostlund Reviewed by Carol Brogan (spoiler warning) Ruben Ostlund’s (Force Majeure, 2014 and…
Review: All Quiet on the Western Front directed by Edward Berger
By Thomas Carmichael Against a backdrop of an imperialist war of aggression in Europe and growing geopolitical tensions…
Review: Nothing Compares directed by Kathryn Ferguson
Nothing Compares Directed by Kathryn FergusonShowtime Documentary Films, 2022 Reviewed by Aislinn O’ Keeffe Nothing Compares opens with…
Review: Athena directed by Romain Gavras
AthenaDirected by Romain GavrasNetflix, 2022 Reviewed by Eddie McCabe (spoiler warning) For its exhilarating 11-minute opening sequence alone,…
Review: Accents by Emmet Kirwan
By Emily Belton Spoken word play Accents opened at the Project Arts Centre in Dublin on 11 September.…
Review: An Cailín Ciúin directed by Colm Bairéad
An Cailín CiúinDirected by Colm BairéadInscéal / Fís Éireann TG4, 2021 Reviewed by Eóin Dawson When An Cailín…
Review: Derry Girls created by Lisa McGee
Derry GirlsCreated by Lisa McGeeChannel 4, 2022 Reviewed by Rebecca McMonagle Channel 4’s Derry Girls returned for its…
Review: A Spectre, Haunting by China Miéville
A Spectre, HauntingBy China MiévilleHead of Zeus, 2022 Reviewed by Eddie McCabe The Communist Manifesto is the paramount…
Review: Heartstopper directed by Euros Lyn
Reviewed by Ollie Bell Heartstopper is a Netflix series based on Alice Oseman’s comics of the same name.…
